Are You a Woman in a Man’s World?

“Hey, it’s an ice cream man who’s a lady!  I was the lady…

It was the first year that Good Humor hired women as ice cream truck drivers. It was the summer after my freshman year at college, when I applied for a job as a driver. I fibbed and said that I could drive a standard transmission so I would get the job.  I got the job and as I bucked out of the Good Humor lot on my first day, I learned how.

I have always been the “token” female in my professional circles throughout my life.  To be honest, I never set out to be a front-runner for my gender or to prove a point. I simply followed my interests and and didn’t let the naysayers stop me from what I wanted to do. I just went for it.

In my profession of still photography there are definitely more women in the business now, than when I started.  At times it has been challenging and no doubt many opportunities were lost simply because of my gender.  But I was tenacious and I was passionate about photography and the access my cameras would give me to the lifestyle I wanted. I wanted to explore the world and experience places and events and share them with others. I’ve spent a lifetime doing just that.

I’m amazed at what technology has enabled me to do in my life and in my profession. I have been able to utilize the tools of today and the plentiful electronic distribution portals to bring awareness to various issues or cultures through my still images and motion. Currently, I’m working alongside my partner, Tom Kelly on a project entitled Like a Woman. It’s a series of short films and environmental still portraits of women who are working in male dominated professions – a subject I can certainly relate to.  We’ve just finished our

Taylor Laverty, Pilot of Good Year Blimp, Carson, CA
Taylor Laverty, Pilot of Good Year Blimp Spirit of America

 latest film about Taylor Laverty, a female pilot for the Goodyear blimp, the Spirit of America. She is one of only three female blimp pilots in the world. Taylor amazes me with her skills and professionalism and I am grateful to see the strides going forward in gender equality. 

Change happens slowly,  until it eventually becomes the norm.  By creating these short films I hope to nudge change along a little quicker and  inspire other women to reach for opportunities that are out there and used to be off bounds – not that long ago. I am always looking for interesting stories about women who are paving the way in fields where few women have gone before.  Please contact me.

What’s Next for Still Photography?

One of the only good things about getting older is that I have gained a lot of perspective.

Shooting photograph with an iPad, New Zealand
Shooting photograph with an iPad, New Zealand

I never speculate what the future will hold by limiting it to what’s possible now because………when I began studying photography at Brooks Institute in the early 1970’s,

I never would have imagined:

  • That I would own a personal computer that would change the way I communicated with people and ran my business.
  • There would be the Internet, email and mobile phones.
  • There would be auto-focus cameras and lenses.
  • Cameras would be fully automated – if you choose to use them that way. When I began my career as a photographer, I needed to be a technician, and that meant understanding aperture and shutter speed and a lot of other things that went into making a still image.
  • I would be shooting still images without film.
  • I wouldn’t be limited to 36 frames on a roll of film.
  • I could change the ISO on my camera, as need be.
  • I could change the white balance on my camera, as need be. (No need for different types of film)
  • I wouldn’t need to “get it right” in the camera because I could “fix it in post”.
  • I could see what I shot – right after I shot it, without waiting for the film to come back from the lab or taking Polaroids.
  • There would be data cards and hard drives that are able to store hundreds of thousands of images at affordable prices.
  • I could transmit my images digitally and globally with ease and speed.
  • I could share my portfolio electronically with virtually anyone, anywhere in the world.
  • That still cameras would be able to shoot video.
  • That video cameras would be able to shoot at high resolution with fast shutter speeds – good enough to take still images for frame grabs.
  • My mobile phone would be able to shoot high res still images and video.
  • Magazines and newspapers would publish electronically.
  • I would be able to watch a movie in my own home.  (without being wealthy enough to build a home theater with an analog projector and sound system).  This was before the VCR was invented.
  • That feature movies and TV shows (other than soap operas) would be shot in video.
  • I would be able to make a feature length film without a Hollywood budget and a big crew.
  • I could self-publish and distribute my book or a movie without a publisher or movie studio.
  • My TV would have access to the Internet (what’s the Internet?)
  • The Internet would give birth to “new networks” producing original content.
  • I would be competing and doing business on a global scale  – as a small business owner.

A lot of the things I listed seem commonplace now.  But, I when I first began my career as a photographer, I never would have imagined any of them – not in my wildest dreams.

What do you imagine the future will bring?  There’s one thing for certain, if you limit your imagination to what’s possible now – you probably won’t even come close to what’s in store for the future.

 

Video Editing – Some Tips Not to Forget

I have a love/hate relationship with video editing, depending on which point I’m at. HotShoeExtensionExtenderMy initial ingestion of content and first edit is always tedious, but once I’ve edited the time line sound bites, I feel as though I’m more than half way there. But sometimes I lose sight of some critical thoughts in the process. Here’s a few:

  • Remember your commitment / story. Your story gets told and comes alive in the editing. If you don’t have a clear and concise message or story that you want to tell, then go no further, until you do. I have found when editing the latest short film in the Like A Woman series, that there is more than one message to relay. This video is about Simona de Silvestro, one of the few female professional race car drivers who races for the Andretti Autosport Team in Formula E (electric). It has two themes – one, about a woman in a man’s profession and another about electric racing. It’s tough to get across one theme in a film that is less than 3 minutes long, let alone two themes. I knew that I needed to be concise and to deliver the messages organically without forcing the issues. As much as Simona is one of the few females in this profession, she still wants to be known as the best driver she can be .
  • Let a piece breathe. I always make the mistake of trying to squeeze too much dialog into a short piece. It took me a dozen cuts, each time, taking out soundbites and stretching them over added b-roll to get the balance just right. Breathing gives the audience a rest and allows them to digest the information better.
  • Don’t try to be perfect. In an effort to leave no stone unturned in regards to my b-roll, I initially went through everything and then put all the selects on a timeline (or in a event). It was the first time we shot 4K GoPro footage and I put that in a separate event on a timeline. It was a big mistake. It took me a long time to make the timeline and an even longer time to look for a clip within the timeline. Next time, I will edit my clips from my bin and mark “favorites” as I go along, which is what I usually do, and is much faster.. Not sure why I departed from that approach, but I learned my lesson.
  • Audio is everything. The interview with Simona was challenging. We were literally in a tent set up on the side of an active roadway. Even with a shotgun mics and a lavalier with an undercover we still picked up some background noise of the traffic. I did everything I could think of to blend the sound including S-Curve transitions and adding another noise track to fill in the dead air spots. I’m not totally happy with it, but I’d like to up my skills in audio mixing. My only consolation is that the story is about racing, so the audio is somewhat acceptable.
  • 4K – What a memory suck! I love the results from the GoPro Hero 4 Black but the clips are difficult to view as it can be sluggish. But, because my final output is HD 1920X1080, I was able to crop the 4K and/or blow it up and it looked great.

Check out the other short videos and portraits on the Like A Woman channel. And please like our FB page.

How a Personal Project Can Augment a Career

I’ve shot 10 short films for my latest project entitled,  Like a Woman. The project is about women who work in traditionally male-dominated professions. Sadly, there are a lot of professions to choose.  The latest films consist of profiles of Simona de Silvestro,

Simona de Silvestro, Formula e Race Car Driver, Berlin, Germany
Simona de Silvestro, Formula e Race Car Driver, Berlin
Taylor Laverty, Pilot of Good Year Blimp, Carson, CA
Taylor Laverty, Pilot of Good Year Blimp, Carson, CA

a Swiss, female, Formula e (electric) race car driver for the Andretti team, Taylor Laverty, a pilot for Good Year Blimp (airship) and Tayna Ragir

Tanya Ragir, Sculptor, Los Angeles, CA
Tanya Ragir, Sculptor, Los Angeles, CA

, a talented sculptor. Every one of these women was inspirations to me.  I have been a minority female photographer and filmmaker for almost four decades.

I have come to the realization that success has been about my journey and pushing my own boundaries. Many times I have been well paid, but I define my successes by the value of the journey, not by the monetary gain. My memory  is full of incredible experiences, including the last three – riding the Good Year Blimp, being in on the race track in Berlin with the Andretti team and meeting multi-talented sculptor Tanya and significant other David, both who energized my mind and spirit and awed me by their creativity.

I came away from these three experiences enforcing what I knew already, that a   “personal project” has a life of its own and that they have been an outlet for what is inside me. These projects they’ve given me PR value and memorable experiences, but most of them have been timeless and continue to resonate with me as well as others, years after the fact. I suppose,  I already knew that but it wasn’t until David told me that my Delta Bluesmen film (which I created more than a dozen years ago) excited him and made him want to see more, that the thought hit home. I touched upon a subject that was near and dear to him and he let me know about it and that made my afternoon. It may seem like a small gesture, but his acknowledgment and appreciation will stay with me a lifetime.

I have been very blessed in my life and I should remind myself of that more often. I became a photographer a very long time ago because I felt that the craft would provide me with access to a lifetime of memories and the means to create awareness. Every so often, I get reminded of the why I became a photographer and visual communicator and whenever I have, it has buoyed my spirit when I needed it the most.

Thank you to all my subjects, Good Year, Andretti and TE Connectivity for all your gracious help and support. Stay tuned for the short films.

VR – Virtual Reality – Will it Replace the Real Experience?

I just returned from the NAB (National Association of Broadcasters) Show held annually each April in Las Vegas. With 4 huge convention halls displaying the latest and greatest technology and gear used in broadcasting, it’s simply overwhelming. Since I’ve never been enamored with just the NAB 2016gear component of my business (still photography and video), but rather in how I can apply or enhance the story that I’m working on, I spend most of my time attending the conference tracks.

Every year, there seems to be a new buzzword. Two years ago it was all about 4K. Last year it was drones (UAVs) and this year it was all about VR (virtual reality) but not the VR of the 1980’s. I’m talking about VR that provides a totally immersive experience for the viewer. Even though I was a bit skeptical and didn’t really see opportunities beyond the gaming sector, I made it a point to check out the VR Pavilion and take a look at some cameras ranging from Kodak’s PixPro SP360 4 K ($499-$899) to Spericam’s V2 a 360° video camera (actually 6 cameras) no bigger than a tennis ball that records in 4K with automatic-stitching, WiFi and streaming baked right in, making viewing and sharing content easy (around $2500), to the high end Nokia Ozo selling for $60,000! As far as the viewer end, here are some of the headset options out there: Oculus Rift, Google Cardboard, and Samsung Gear VR

It wasn’t until I attended a session entitled, Being There – VR in News & Documentary that I began to realize the potential and possibilities of this technology. The panel consisted of filmmakers, journalists, and creative directors from news outlets (USA Today and Sky TV) who talked about how they were applying the tools and utilizing the medium. Like any new technology there are plenty of challenges in both the production and postproduction process, but with technology’s fast moving pace in this niche it’s only a matter of time before just about anyone and everyone will be able to create using this medium. One challenge right now is in stitching together the content in post that is created by 6 -10 cameras. It can be cumbersome and slow accompanied by hours of angst if the cameras haven’t been perfectly aligned and in sync with one another. A question was raised about the reluctance that viewers might have with not wanting to wear the necessary headset, which was one of the obstacles that kept 3D TV sets from being ubiquitous in all of our homes. The panelists answered by predicting that in a year’s time the headset will give way to a contact lens worn by the viewer.

As a story driven content creator, I needed to know why I would want to deliver a story in VR. After this session the light bulbs went off. Because it’s an immersive experience for the viewer, it can also be an incredibly empathic and emotional medium. Imagine the possibilities – red carpet events, concerts or documentaries where you want the viewer to have a truly immersive experience. VR also provides an opportunity for authenticity because it removes the layers between the journalist and the viewer as opposed to 2D, which could have been created on a sound stage.

Even though the principles of storytelling haven’t changed this is a medium that requires a new language or lexicon with new rules. For instance, there is no cropping in VR. There are two important considerations when creating VR. One is proximity and you have to get the camera in close – no more than 2 feet from a subject that the camera may be following. The other component is to have a narrator or presenter – a kind of tour guide that can direct the viewer through the experience. Usually it’s the journalist rather than a voiceover talent, which can be a bit unnerving in this medium or like the voice of God coming out of nowhere. An alternative to using a narrator would be to use graphical overlays that guide the viewer visually. All the panelists agreed that because it’s such an authentic experience for the viewer it’s a medium that’s conducive to creating empathy and moving people to take action. Some said because it is so authentic it may mislead people inadvertently to disconnect because they have no sense of danger and we run the risk of viewers becoming numb to the experience but only if the filmmaker doesn’t provide the opportunity for a call to action. Live streaming in VR is a game changer because now filmmakers can influence in real time.

I’m not yet convinced that it’s a medium for me or if I’m ready to be a pioneer and deal with what comes with that. The rewards and opportunities are there, as they usually are for frontrunners. That is if it isn’t just a passing fad and you’re willing to take that risk. There is already a trade association for VR creators, IVRPA (The International Virtual Reality Photography Association) so my guess is it’s more than a passing fad. In a world of couch potatoes or those stifled by fear, there may be plenty of people who will choose VR over the real experience.

Check it out for yourself.

VR Stories by USA Today Network

Immerse Yourself in Stories of America 

Google Play
https://play.google.com/store/apps/details?id=com.gannett.vrstories&hl=enand

iTunes App Store
https://itunes.apple.com/us/app/vr-stories-by-usa-today/id975006820?mt=8

Condition One*
Experience a Perilous World with At-Risk Species, and at a Factory Farm

Google Play
https://play.google.com/store/apps/details?id=com.conditionone.vrplayer_cardboard&hl=en

Platform agnostic streaming with or without Cardboard:
https://www.youtube.com/channel/UC3VWeehBnL_VL-92K6VImiw

Ryot – VR
Go Around the World to See New Perspectives, Regions, Cultures and People

Google Play
https://play.google.com/store/apps/details?id=com.apto.ryot_vr&hl=en

iTunes App Store
https://itunes.apple.com/us/app/ryot-vr/id1046058227?mt=8

Platform agnostic streaming with or without Cardboard:
http://www.ryot.org/virtualreality/the-second-line-a-parade-against-violence
(This piece is a RYOT and AP collaboration. Go inside New Orleans, one of our nation’s most culturally rich cities in a socially, politically, and emotionally potent moment in time.)

Google Cardboard
Launch Your Favorite VR Experiences, Discover New Apps, and Set Up a Viewer

Google Play
https://play.google.com/store/apps/details?id=com.google.samples.apps.cardboarddemo&hl=en

iTunes App Store
https://itunes.apple.com/us/app/google-cardboard/id987962261?mt=8

Platform agnostic streaming with or without Cardboard:
youtube.com/360

 

Traveling Solo (as a woman)

I’ve been traveling solo to all corners of the globe since I made my first big trip hitchhiking half way around the world when I was 19 years old. That was decades ago. I no longer hitch hike and I prefer to stay in a nice hotel over a youth hostel these days, Hanoi-0347but I still spend a great deal of my time – traveling solo. You can see some of the images I’ve made on these journeys on www.kellymooney.com

Whenever I tell someone that I will be traveling somewhere – solo – they usually respond with the same question: “Aren’t you afraid? I generally answer with my own question: “Afraid of what? Safety is a common concern, especially from women – and for good reason – but fear or fear of the unknown shouldn’t stop you. I do believe that being fully prepared prior to heading out solo is the best course of action to minimize fears.

Some of the biggest pros of traveling solo is having the flexibility of making your own itinerary and schedule, immersing yourself in the local culture and meeting people you probably never would have if you had not been on your own. Those things far outweigh any fears or trepidations I may have.  I’m more afraid of having regrets because I let my fears stop me.

Some tips:

  • Be prepared – research. Good research ahead of time can eliminate a lot of problems. And I don’t mean, just researching hotels, restaurants and the sites but research the local customs, other traveler reviews online, scam alerts, US State Department warnings or simply talk to someone who has gone before you. So, be prepared and do your research before you go, but don’t forget to leave time in your itinerary to let serendipity happen. Those moments make for life’s greatest memories.
  • Alert your bank and credit card companies before going overseas. My ATM card and credit cards are my lifelines when I’m traveling, especially when traveling solo. I need to make sure that they will work when I’m in a foreign country and not blocked. Many times if a credit card company sees unusual behavior on one of your cards – especially foreign transactions, security may put a block or hold on your card, suspecting fraud. I call a couple days before I leave on an overseas trip to give the appropriate companies a heads up.
  • Make copies of your itinerary and important documents. I make a few copies of any credit cards I’m taking, my passport, visas, flight itinerary, hotel info and any other important information. I leave one copy behind with my husband and take a few copies with me and keep them in separate places. I also keep a contact list of important phone numbers etc. and store them on my electronic devices, but I also have printed copies with me. If I do get robbed or lose something, I am in a better position to get assistance.
  • Keep your passport in hotel safe. I am keenly aware of where my passport is at all times. When I’m at my destination, I leave my passport in my hotel room’s safe. When I’m traveling, I keep my passport in the same place at all times. That makes it easy when doing a checklist to make sure I have everything after going through security.
  • Know before you go. Perhaps the most intimidating times for a solo traveler is upon arrival in a foreign place. If you aren’t comfortable with public transportation or even grabbing a cab, then have a pick up waiting for you at the airport or train station. If you do take a cab – make sure you negotiate what the price should be before you get in – even if it is a metered cab. Also, find out how long it should take for a taxi to get you to your destination. It’s a good idea to get familiar with the currency exchange rate. Nowadays it’s easy to get foreign currency out of an ATM machine but you should know the exchange rate so that you know how much to exchange. I just returned from Vietnam and I did not check the exchange rate before I got there. At the ATM machine I was given a choice of withdrawal amounts and selected the lowest amount of 350,000 Dong. Little did I know it was less than $20.
  • Don’t look like a tourist. I’m a photographer but I don’t want to stand out by looking like one. Not only is it not a good idea from a safety point of view, walking around a city with two cameras dangling around my neck or wearing a photo vest stuffed with gear, it’s not conducive to getting good images. The biggest plus of traveling solo as a photographer as opposed to traveling in a group is that I am able to blend in more, be more discreet and get more intimate images than if I’m in a group of people all shooting the same thing.
  • Don’t eat room service. It can be lonely and some women are even intimidated dining alone but don’t cheat yourself out of a cultural experience by eating alone in your room. I frequently eat in outdoor cafes. It’s more casual, more conducive to solo diners and has the extra added bonus of people watching. It’s hard to be lonely in that type of environment. In many countries, it’s quite normal to seat an individual at an empty seat at someone else’s table. I enjoy this because it’s an icebreaker and is a great way to meet people.
  • Don’t be shy – mingle. One of the best parts about traveling solo is that I immerse myself more in the culture of where I am. Most times I don’t seek people out to talk to – they usually initiate a conversation with me, mostly out of curiosity. I have had a lot of great experiences by meeting people this way. I am cautious, but at this point in my life I can usually size people up if they are trying to scam me or not. It’s become almost instinctive. For the most part though, it has opened up many opportunities that I may not have taken if I had been traveling with someone else or in a group. It’s also beneficial to talk to other travelers. I have had a lot of great experiences that I never would have had if other travelers hadn’t made me aware of them.
  • Use common sense. Be trusting and open but be aware. Don’t walk down unlit streets by yourself at night. Don’t wear a lot of jewelry or flash around a lot of expensive gear. Be mindful of your bags and belongings at all times, never leaving them unattended. (One of the cons of solo travel is not having someone to watch your back or your stuff.). Most of all – Go with your gut. If something doesn’t feel right, then it probably isn’t.
  • Be confident. If you look confident, you will be less likely to be a target. Most problems occur when a traveler is doing something that makes them an easy mark – getting intoxicated, not being mindful of their belongings or venturing into unsafe areas.   Don’t let yourself become an easy mark.

I’d love to hear other tips solo travelers have or experiences they’d like to share.

Five Ways Shooting Motion Will Make You a Better Still Photographer

I’ve been shooting both mediums – video and still photographs – for over a decade. Some may say that I was an early adaptor of motionForty Deuce burlesque club, Las Vegas, Nevada, but that’s now how I look at it. In a way, I’ve been a motion shooter ever since I became a still photographer – not in the literal sense – but in how I approach the craft of photography.

I’m a storyteller; in fact that’s why I made photography a huge part of my life. I want to utilize my craft to tell the stories that I feel compelled to tell. I think in terms of paginations, like pages in a magazine or scenes in a film and I realize now that I have always approached still photography like a cinematographer.

Here are some tips I learned from shooting motion that will make you a better still photographer:

  • Cover it – Get comprehensive coverage – a variety of perspectives, focal lengths (wide, medium, tight and close-ups.) When shooting video, you always need plenty of b-roll to work with when editing a story. My still photography clients enjoy getting the variations that I shoot. It gives them an abundance of choice and I benefit by making more money.
  • Get sequences – Get mini stories of people interacting within the whole story. When I’m shooting, I think about how my shots will come together as part of the whole video. I approach still photography stories the same way – in paginations. How will I connect the still images to make the whole?
  • Get storytelling images – With still photography I need to make sure that my independent shots (or moments in time) will also be able to stand on their own and tell the story. They can’t just be “wowy zowy” images as Bob Gilka (former Director of Photography of the National Geographic) used to say when I showed him eye catching, colorful photos that didn’t say anything.
  • Action/motion – make the images feel. I started exploring motion because there were times when I found it difficult to convey the feeling of motion that I was trying to express in a still image. I find it is easier to convey the feeling of movement in a still image now because my eye is trained to look for the opportunities.
  • Give the images sound – (like a hammer hammering). Natural sound gives a video the element of reality. It’s almost like it gives the video a well-needed extra layer or dimension. When I’m shooting stills, I look for images that will illustrate the sound of the environment.

I usually incorporate both video and still components when working on personal projects. For my current project, Like A Woman, I’m shooting still environmental portraits and short 2-4 min. films. And when I travel, I’ll always take a digital audio recorder and microphone to capture good sound.

I’m headed to Vietnam tomorrow to shoot stills primarily, but I’ll be shooting with the eye of a hybrid.